Nick Posegay

Archives • Manuscripts • Interfaith History

About This Site

Thank you to me for making this site. Thank you to academia./edu for forcing my hand by making their own site unsuitable for hosting academic materials. Most of all, thank you to you, dear reader, for finding this weird sidebar.

Some Notes on Melody: Saʿadya Gaon and Why ‘Naghma’ Means ‘Vowel’ in Judaeo-Arabic (2025)

The article explores the historical and linguistic contexts behind the use of the term ‘naghma’ in medieval Judaeo-Arabic to signify ‘vowel’, a meaning distinct from its Classical Arabic usage denoting ‘melody’, ‘tone’, or ‘sound’. Focusing on Saʿadya Gaon’s work, particularly his al-Qawl fī al-Nagham (‘Discourse on Melody’), the study highlights how the concept of ‘tone’

To Belabour the Points: Encoding Vowel Phonology in Syriac and Hebrew Vocalization (2021)

Medieval Hebrew and Syriac scribes both indicated vowels by placing dots above or below their consonantal writing. These vowel points were created in the Late Antique and early Islamic periods to disambiguate the vocalization of important texts, especially the Bible. The earliest step in this process was the implementation of the Syriac ‘diacritic dot’ system,

Connecting the Dots: The Shared Phonological Tradition in Syriac, Arabic, and Hebrew Vocalisation (2020)

This article presents new data on links between the various medieval vocalisation traditions of Hebrew, Syriac, and Arabic. These include the identification of overlaps in the Aramaic terminology used by Jewish Masoretes and Syriac Christian grammarians and in the phonological theories that underlie them, as well as connections between Syriac and Arabic grammarians. It thus